Bryan Bruton lands in prison after an unfortunate accident, where he discovers that through hard work, he can find a way to escape. This happened in real life, and Bruton does a great job serving as a biopic that gives us the full scale of the story. Prison break stories can feel a little been there done that, but being a true story adds a level of intrigue that still makes the story exciting. The film does a good job with the set up, letting us get an inside look at who Brya

I need to tell you about the rain. In The Last House, a Netflix thriller that cost considerably more money than it had any right to, the rain is sentient. The rain seals your doors shut. The rain makes your windows unbreakable. The rain, and I cannot stress this enough, knows how to lock your garage door. This is a film in which hostile precipitation has developed a working understanding of residential architecture and has chosen to use that knowledge against us. I watched al

"I ain't afraid to die anymore. I've done it already." With the lead up to Alejandro González Iñárritu's newest film, Digger, coming this Fall, I figured it was time to take a walk down memory lane to his highest-grossing film of his career, The Revenant. At the time, the Oscar-winning filmmaker was coming off the heels of making his Best Picture winner, Birdman or (The Unexpected Virtue of Ignorance), and decided it was time to tackle one of his most ambitious films he ever